Brittney Bertier and Paul Rabinowitz are award winning writers who teamed up on the pilot episode of the drama series, Bungalow. They are currently developing the feature films Larry and Fern and No Going Back (Working Title).

"We take pride in developing multi-faceted characters that come alive within the twists and turns of our complex storylines, with smart dialogue and a sense of humor and relatability that goes straight for the heart. We are well-seasoned, disciplined writers who work well under pressure to hit our self-imposed benchmarks and promised deadlines."

Brittney and Paul have over 25 years of combined literary fiction, non-fiction, and screenwriting experience. You can learn more about Brittney Bertier and Paul Rabinowitz on their websites.

For inquiries, please contact them at info@paulrabinowitz.com or (973) 703-5500.

Larry and Fern

Log Line: Two screenwriters with opposite life experiences are matched to work on a new feature-length film that turns into more than they bargained for.

No Going Back

Log Line: A disillusioned young woman and an older hospital volunteer form an unlikely friendship that profoundly changes the course of their lives.

Bungalow

Finalist at the Austin Short Film Festival 2024 for Best Drama Screenplay.

Log Line: When a pharmaceutical executive quits following a tragic wrongdoing, he seeks personal redemption by investing his children's college fund in an unusual business venture.

Bungalow sparks from the internal struggle of Scott, one of a group of friends close from childhood. Scott works in opioid pharmaceutical sales and is increasingly tormented by his role facilitating human suffering. He finds an escape valve in his impulsive purchase of a run-down bungalow colony he hopes to turn into an artists’ residency. He is in turn goaded, spurred and inspired by Janelle and her brother Jersey, siblings who are tapped into both the practice and ethos of art and its trade.

The series contains in its premise the foundations for conversations related to income inequality, the role of art in life, and the shifting dynamics of family, both found and of origin. It is the story of one man seeking redemption for his role in a grave collective wrong, and the story of his path toward art as a means of facilitating healing for himself and as a gesture of good for his community and beyond. Whether Scott’s plan is ultimately successful depends upon the perspective and ethics of the viewer.

Bungalow exists now as a treatment, in a seed capsule of eight 45-minute episodes comprising an entire first season, and a Pilot Episode. It echoes Better Call Saul in tone. It embodies an emerging post COVID zeitgeist in its focus on reconsiderations of life in the wake of upheaval, both personal and societal, and the desire to get away from what’s come before, both in setting and direction.